Search Results For “Dilettante at Large”

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Tiffany Townsend as Brenda, Sophia Hunt as Faith in EMPTY THE HOUSE. Credit: William Brown Photography.

A dilettante at large reviews RIDERS TO THE SEA/ EMPTY THE HOUSE (Curtis Opera)

Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre

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A dilettante at large considers Philly After Dark at the Athenaeum

A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.

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till from Wil-o-Wisp (Moiré Installation), 2018, by Rachel Rose (American, born 1986). Video installation with sound, double-lined mesh scrim, carpet, projection screen, and semi-transparent projection scrims. Jointly commissioned and owned by the Philadelphia Museum of Art and Fondazione Sandretto Re Rebaudengo. Funding is made possible for the Philadelphia Museum of Art through the Contemporary Art Revolving Fund. Image © 2018 Rachel Rose.

A Dilettante at Large reviews two new shows at the Philadelphia Museum of Art

Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”

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A Dilettante at Large goes to Penn Museum

Toby Zinman gives her thoughts on the new Middle East galleries at the University of Pennsylvania Museum of Archaeology and Anthropology

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The Boy (countertenor Anthony Roth Costanzo) in WRITTEN ON SKIN. Photos by Kelly & Massa for Opera Philadelphia.

A dilettante at large: WRITTEN ON SKIN (Opera Philadelphia)

Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.

2018

Best of 2018: Phindie articles you loved this year

The most-read articles on Phindie in 2018