A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein.
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Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre
Martha Graham Cracker (aka Dito von Reigersberg) is back in Philly for only three shows
Toby Zinman feels the Japanese rhythms of KODO drum troupe.
Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.
A dilettante at large considers two exhibitions at the Philadelphia Museum of Art
A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”
All this dilettanting around town can make a critic hungry
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
The most-read articles on Phindie in 2018