Revisiting Philly theater history through the eyes of one of its finest critics.
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Tag: Whit MacLaughlin
HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
More engrossing, more alienating, and more disciplined than its predecessor.
View More HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
A YEAR WITH FROG AND TOAD (Arden Children’s Theatre): Another year with frog and toad
The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.
View More A YEAR WITH FROG AND TOAD (Arden Children’s Theatre): Another year with frog and toad
The Unprecedented Universe of O MONSTERS First Draft
New Paradise Laboratories’ O Monsters First Draft invites audiences to imagine the world separate from our human understanding of it.
View More The Unprecedented Universe of O MONSTERS First Draft
HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness
A world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.
View More HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness
Nowhere Woman: Femme fatale Emilie Krause on 901 NOWHERE STREET
Emilie Krause talks about her Fringe play, her work as an actor and devisor, and how she’s probably not a real-ife femme fatale.
View More Nowhere Woman: Femme fatale Emilie Krause on 901 NOWHERE STREET
BEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytale
Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.
View More BEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytale
THE ADULTS (New Paradise Laboratories): Fringe Review 20.2
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.
View More THE ADULTS (New Paradise Laboratories): Fringe Review 20.2
THE ADULTS (New Paradise Laboratories): Fringe Review 20
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.
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Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse
Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.
View More Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse