As the world reaches out a hand to help the Ukrainian people amidst the Russian invasion, the local Philadelphia theater community is finding its own ways to contribute. In solidarity with Ukraine, the Wilma Theater presents a special event next week featuring the work of Ukrainian playwright Natal’ya Vorozhbit, raising money for those affected by the war.
View More The Wilma Announces A Fundraiser Supporting Ukraine
The constant menace of teenage ambition hums under the entire production.
View More DANCE NATION (Wilma): What it means to be ferociously pubescent
3 weeks. 10 plays. My first Fringe Festival.
View More Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
View More THERE (Wilma): 2019 Fringe review
Remembering Philadelphia theater history through the eyes of a venerable theater reviewer.
View More Philadelphia Theater through the eyes of J. Cooper Robb, Part 1: 2002–2003
Philadelphia playwright wins prestigious award.
View More James Ijames Gets Kesselring Prize
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veins
Industry insiders vote on their favorite shows and artists in their community from the preceding theater season. The resulting awards recognize the best that Philly stages have to offer, and also musicals.
View More Barrymore Awards Nominations
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
RAPTURE, BLISTER, BURN is an exploration of contemporary feminist questions and a story in which those theories are put to a practical test.
View More RAPTURE, BLISTER, BURN (Wilma): Feminism, access, and meaning on the stage