Shakespeare wrote Twelfth Night (1599-1600), one of his few fantasy plays, immediately before he penned his incomparable Hamlet (1600-1601). As Artistic Director Charles McMahon describes…
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Tag: Sarah Sanford
TWELFTH NIGHT (Lantern): Shall we set about some revels?
“Shall we set about some revels?” Yes! The battle begins: Lantern Theater Company opened its excellent and enjoyable production of Shakespeare’s Twelfth Night; soon to…
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The Long Tides of Time: Nicole Quenelle on her 2016 Fringe show
THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.
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A WONDERFUL NOISE (Villanova): Noise but not wonderful
Michael Hollinger and Vance Lemkuhl’s musical is lacking in conflict and complexity.
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Deb Miller’s 15 Top Picks for the 2015 Fringe Festival
Top Philly theater writer Deb Miller previews the best of the 2015 Philadelphia Fringe Festival.
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Conversations on Chekhov: What gimmicks? The Arden’s THREE SISTERS has a lasting effect
In September of 1900 Anton Chekhov confessed in a letter to his actress-wife Olga Knipper: “I find it very difficult to write THREE SISTERS, much more…
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THREE SISTERS (Arden Theatre): Does the gimmick stick?
THREE SISTERS is the story not only of its title characters—the sisters Olga (Sarah Sanford), Masha (Katharine Powell) and Irina (Mary Tuomanen)—but also of the various characters who shuffle in and out of their country home over the course of a few years. It’s a soap opera on wheels as nearly everyone falls in love, gets caught up in adultery and waxes philosophical, all while sinking deeper and deeper into the exact sorts of lives they never wanted to lead.
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