Take a wild ride to a very special Wawa.
View More OPERATION: WAWA ROAD TRIP (Tribe of Fools): 2019 Fringe review
Tag: Robin Stamey
THE ACCOUNTANT (Trey Lyford): 2018 Fringe review
Do the math. That’s what accountants do, right? The show is 75 minutes long. I looked at my watch about ten times, from which we…
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THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
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COPENHAGEN (Lantern): Observable quantities
I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are
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IDEATION (Theatre Exile): How to succeed in business
The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play
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LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review
A beautiful spectacle, full of humor, sadness, joy and handstands
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LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe review
Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
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FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review
This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
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ALL’S WELL THAT ENDS WELL (PAC): A mingled web well woven
PAC’s current production confirms its reputation as the best adaptor of classic works.
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Theater in Sketch: ALL’S WELL THAT ENDS WELL (PAC)
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
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THE BIRDS (Curio): Terror takes flight
This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters
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Ionesco Anticipation: IRC’s Tina Brock on another buzz-worthy Fringe show, and her favorite chair
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
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A Room with a View: Jennifer Summerfield talks THE YELLOW WALLPAPER
Jennifer tells us how and why she staged this haunting tale of one woman’s mental collapse.
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Devised Theater Meets Disability: Matt Purinton talks EXPOSURE
Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.
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THE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pull
Something funny across the surface with dark issues riding just under it.
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DRACULA (Hedgerow): Raising the stakes
This not your usual resurrection of the Dracula story of seducing young women to join him in the realm of the undead.
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[14] THE CASTLE (Idiopathic Ridiculopathy Consortium): Fringe review
Though Franz Kafka’s work is not categorized as theater of the absurd per se, his writings have been cited as important predecessors of the genre.…
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