Giovanni’s Room, is currently on stage in Philadelphia in world premiere. The James Baldwin Estate granted Quintessence Theatre permission to produce this theatrical adaptation, the…
View More GIOVANNI’S ROOM (Quintessence): Bringing Baldwin to the stage
Double, double toil and trouble; Fire burn and cauldron bubble. Cool it with a baboon’s blood, then the charm is firm and good. Macbeth, the…
View More MACBETH (Quintessence): Onstage magic
Quintessence Theater’s founding artistic director Alex Burns, has written a new translation from the original French
View More NO EXIT (Quintessence): A new translation of a hellishly absurd classic
There’s magic and mystery as wonderfully costumed characters come alive to dance, sing, cavort, wrestle, draw swords, threaten violence, and show mercy
View More THE TEMPEST (Quintessence): Full of magic
This show has history. Odets, a voice for his disinherited generation was born in Philadelphia.
View More Waiting For Lefty (Quintessence): On the side of angels but not art
Here’s an overview of some of the shows coming to the stage in Philadelphia this month.
View More March 2022 Roundup
An extended consideration of the new Synge production from Mount Airy’s Quintessence Theatre.
View More An Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLD
When PLAYBOY OF THE WESTERN WORLD premiered in Philadelphia in 1912, riots broke out. Quintessence’s skillful production features consistently strong performances that manage to surprise and delight.
View More PLAYBOY OF THE WESTERN WORLD (Quintessence): Dead dads, tall tales, Irish intrigue
Henrik Eger interviews the star of Quintessence’s KING LEAR
View More Between chaos and quiet passion: Interview with Robert Jason Jackson as KING LEAR (Quintessence)
As Lear, Robert Jason Jackson is “every inch a king.
View More KING LEAR (Quintessence): England at his feet
Stepping back to a Victorian workhouse with Quintessence Theatre Group.
View More OLIVER! (Quintessence): Eat gruel, get pickpocketed, and become an orphan
Quintessence Theatre dynamically brings to life Mary Shelley’s classic tale of Frankenstein and his monstrous creation in a fantastic, eerily staged production
View More FRANKENSTEIN; OR THE MODERN PROMETHEUS (Quintessence Theatre): It’s Alive!!
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
View More JULIUS CAESAR (Quintessence): Why must republics fall?
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
View More Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.
View More WAITING FOR GODOT (Quintessence): Really absurd
Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.
View More 2018 Theater Preview: Quintessence Theatre Group
A jubilant mix of beautiful music and songs, dancing, magic, social politics… and elocution
View More MY FAIR LADY (Quintessence): A splendid holiday gift
An excellent play well done.
View More LONG DAY’S JOURNEY INTO NIGHT (Quintessence): Love and desire and hate
E. Ashley Izard tackles one of the most daunting roles in the American canon.
View More The Mother of All Roles: E. Ashley Izard plays Mary Tyrone in LONG DAY’S JOURNEY INTO NIGHT
Good productions of Chekhov remind us of how vital his work still can be. Bad productions feed the narrative that his plays are dated, charmless, and inconsequential.
View More UNCLE VANYA (Quintessence): Tedious boring people