Michael Mastro’s production invigorates David Rush’s play so effectively, you almost don’t notice that each of Rush’s scenes have the same paradigm and general outcome.
View More NUREYEV’S EYES (DTC): Painter and dancer onstage
Tag: Michael Mastro
NORA (DTC): A riveting production of a feminist classic
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
View More NORA (DTC): A riveting production of a feminist classic