Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
View More THE PRODUCERS (Bristol Riverside): Bialystock & Bloom, mini-Madoffs of the theater worldTag: Michael Doherty
TOUCHTONES (Arden): This must be a bad connection
Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.
View More TOUCHTONES (Arden): This must be a bad connectionTOUCHTONES (Arden): 60-second review
This treacly throwback neither titillates nor liberates.
View More TOUCHTONES (Arden): 60-second reviewFULLY COMMITTED (Horizon): A zany one-man tour-de-force
One actor plays dozens of roles in a hilarious parody of the mad scramble for reservations at a trendy restaurant in Manhattan.
View More FULLY COMMITTED (Horizon): A zany one-man tour-de-forceINTO THE WOODS (Theatre Horizon): Agony is ecstasy
Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
View More INTO THE WOODS (Theatre Horizon): Agony is ecstasyINCORRUPTIBLE (Arden): Laughter in the monastery
The set of Michael Hollinger’s witty INCORRUPTIBLE looks like it has been there for hundreds of years, transporting one back to the days of monks…
View More INCORRUPTIBLE (Arden): Laughter in the monasteryTHE MUSICAL OF MUSICALS (Montgomery Theater): A homage and a takeoff in song
Eric Rockwell and Joanne Bogart raise the stakes with their devilishly clever and cheekily smart send-up of prolific songsmiths Sondheim, Jerry Herman, Andrew Lloyd Webber, Richard Rodgers, Oscar Hammerstein II, John Kander, and Fred Ebb, THE MUSICAL OF MUSICALS.
View More THE MUSICAL OF MUSICALS (Montgomery Theater): A homage and a takeoff in songASSISTANCE (Wilma): 60-second review
Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013…
View More ASSISTANCE (Wilma): 60-second review