Some of the most beloved choruses and orchestras in the Philadelphia area became creative in entertaining audiences in safe and often unexpected ways via virtual holiday performances.
View More Holiday Concerts in Review: 6 shows that went on despite the pandemicTag: Melissa Dunphy
PUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe review
A far cry from Sesame Street and Lamb Chop
View More PUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe reviewLOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
A clever new take on Shakespeare’s early romantic comedy imparts the flavor of 1960’s-70s Americana with live country-rock music and a multi-talented cast of actors/singers/musicians.
View More LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61Lecture, Talkback, Slam! Upcoming events at The Philadelphia Shakespeare Theatre
Philly Shakes is offering audiences a mid-spring series of supplemental events on three Sundays in April and May.
View More Lecture, Talkback, Slam! Upcoming events at The Philadelphia Shakespeare TheatreA MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.
View More A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov
Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at…
View More THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of ChekhoviHAMLET (Philadelphia Shakespeare Theatre): Fringe Review 28
Robin Malan’s iHAMLET, a stripped-down contemporary one-man adaptation of Hamlet, is performed in The Philadelphia Shakespeare Theatre’s Fringe production by one impressive woman. Actor/musician/composer Melissa Dunphy displays a remarkable command of the non-linear script, not once misspeaking a word of her 55-minute solo performance.
View More iHAMLET (Philadelphia Shakespeare Theatre): Fringe Review 28