Take it from this old broad, Broads, 1812 Productions’ new show, is an entertaining 75 minutes—if you like funny songs and dirty jokes.
View More BROADS (1812 Productions): A tip of the hat to the grand old dames of comedyTag: Melanye Finister
FAIRVIEW (Wilma): 60-second review
Pulitzer winners aren’t always great theatrical works, but they are often very revealing about the times in which they won
View More FAIRVIEW (Wilma): 60-second reviewWinning a Pulitzer, Directing a Pulitzer-winner
2022 Pulitzer Prize winner James Ijames directs the 2019 Pulitzer winner Fairview at the Wilma.
View More Winning a Pulitzer, Directing a Pulitzer-winnerTake a Sound Break with Lightning Rod Special’s New Audio Series
Lightning Rod Special launches new series of FREE theatrical audio works,
View More Take a Sound Break with Lightning Rod Special’s New Audio SeriesBringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
View More Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)THERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe reviewTHERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
View More THERE (Wilma): 2019 Fringe reviewTHE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
View More THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar storyPROJECT DAWN (People’s Light): The hug or the hammer
A well-intentioned but dull play about an important legal program in Philadelphia.
View More PROJECT DAWN (People’s Light): The hug or the hammerHow should Philadelphia Theatre Company rebrand itself?
Cameron Kelsall has some ideas for the new executive director.
View More How should Philadelphia Theatre Company rebrand itself?ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
View More ALL MY SONS (People’s Light): A treat from the golden age of American theaterPicks for Best in Theater, 2014/15, by Philly Reviewer Neal Zoren
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
View More Picks for Best in Theater, 2014/15, by Philly Reviewer Neal ZorenFENCES (People’s Light): On broken dreams and the hope for change
The 2nd production by People’s Light from Wilson’s “Century Cycle”, FENCES is an engaging and profound examination of very human characters dealing with very challenging circumstances,
View More FENCES (People’s Light): On broken dreams and the hope for changeDON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.
View More DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw