Stoppard’s genius is to permeate his play with deep philosophical contemplation while using the play to explore those same issues.
View More ARCADIA (Lantern): A great play is always timelyTag: Meghan Jones
JULIUS CAESAR (Lantern): Political persuasion in feudal Japan
If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.
View More JULIUS CAESAR (Lantern): Political persuasion in feudal JapanOn the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.
View More On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESARBLINK (Inis Nua): The Manufacturing of Affection
Phil Porter’s BLINK—making its American premiere with Inis Nua Theatre—is a touching pastiche of romance, high drama and farce. It’s both heavy and light, comic…
View More BLINK (Inis Nua): The Manufacturing of AffectionRomeo and Juliet (Lantern Theater Company): Do we need another R&J?
You may ask, “Do we need yet another production of Romeo and Juliet?” The answer is yes we do. This is the Lantern. Next question? The…
View More Romeo and Juliet (Lantern Theater Company): Do we need another R&J?