It’s more than the classic boy meets girl, boy likes girl, girl is cold to boy tale:. Rachel Bonds’s MICHAEL & EDIE is a whirlwind of realization, emotion, and introspection.
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Tag: Meghan Jones
LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do…
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QED (Lantern) No doctorate in theoretical physics is required to enjoy this production
But you don’t have to be an egghead to enjoy this play. It’s a great show for non-physicists, a category that includes a whole lot of us.
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ARCADIA (Lantern): A great play is always timely
Stoppard’s genius is to permeate his play with deep philosophical contemplation while using the play to explore those same issues.
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JULIUS CAESAR (Lantern): Political persuasion in feudal Japan
If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.
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On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.
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BLINK (Inis Nua): The Manufacturing of Affection
Phil Porter’s BLINK—making its American premiere with Inis Nua Theatre—is a touching pastiche of romance, high drama and farce. It’s both heavy and light, comic…
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Romeo and Juliet (Lantern Theater Company): Do we need another R&J?
You may ask, “Do we need yet another production of Romeo and Juliet?” The answer is yes we do. This is the Lantern. Next question? The…
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