Chuck Schultz gives his thoughts in words and sketch
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Tag: Maria Konstantinidis
Theater in Sketch: ANNA (EgoPo)
A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
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INFORMED CONSENT (Lantern): A strange kind of ethics
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
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THE TWO GENTLEMAN OF VERONA (Shakespeare in Clark Park): A nice night in the park
The production, though occasionally troubled, can still put a finger on the pulse of Shakespeare at its best.
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THE BALD SOPRANO (Curio): The absurd banality of everyday conversation
Ionesco offers comically entertaining insight on the careless and constant cacophony that passes for communication but is just platitudinous twaddle.
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Is It Always About Sex? Director Kittson O’Neill on the sexual politics of THE ROVER
If you don’t think every play is about sex, you shouldn’t be making theater.
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THE HAIRY APE (EgoPo): The cage of modern life
The challenge for EgoPo director Brenna Geffers was to make a play which must have been theatrically and politically radical a century ago relevant to a 21st-century audience.
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Beautiful woman in row g [29] (Philadelphia): Simpatico presents craigslist themed MISSED CONNECTIONS AND OTHER CURIOSITIES
You can tell a lot about a city by looking through its craigslist pages. Jobs, apartments, M4W, rants: it’s all there. An exploration of wants…
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MAN OF LA MANCHA (Act II): 60-second review
MAN OF LA MANCHA is a play within a play. The production is the clear result of what happens when a group of professionals pour their talents into a common goal.
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UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate production
Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in…
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