What’s being satirized in this social satire? Good question, with several answers.
View More SENSITIVE GUYS (InterAct): Satirizing the dialectic of sex
Tag: Maggie Johnson
THE GAP (Azuka): Self-discovery onstage
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.
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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
View More AN OCTOROON (Wilma): A melodrama, a social commentary, an experience
THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote
EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.
View More THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote
BITTER HOMES AND GARDENS (Bearded Ladies at PHS Pop-Up)
The Bearded Ladies latest show is planted full of good ideas, some of which germinate, some of which reach farther than they can comically travel, and some of which die on the vine.
View More BITTER HOMES AND GARDENS (Bearded Ladies at PHS Pop-Up)
A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater
For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.
View More A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater
DR. SEUSS’S THE CAT IN THE HAT (Arden): A Review in Seussical Verse
I loved to read when I was a kid
And although I’m full grown I still love what I did.
THE CAT IN THE HAT was one of my faves.
Now that book is a play* and I’m giving it raves!
The Arden’s production is silly and wild.
It’s as good for adults as it is for a child.