Playwright Anna Ziegler drops us deep into an intricate game of high-stakes tennis
View More THE LAST MATCH (Lantern): Set pointsTag: Lance Kniskern
THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
View More THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt notTHE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
View More THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literatiINFORMED CONSENT (Lantern): A strange kind of ethics
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
View More INFORMED CONSENT (Lantern): A strange kind of ethicsTHE TWO GENTLEMAN OF VERONA (Shakespeare in Clark Park): A nice night in the park
The production, though occasionally troubled, can still put a finger on the pulse of Shakespeare at its best.
View More THE TWO GENTLEMAN OF VERONA (Shakespeare in Clark Park): A nice night in the parkI WILL NOT GO GENTLY (1812): Rage, rage against the dying of the light
The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.
View More I WILL NOT GO GENTLY (1812): Rage, rage against the dying of the lightOSCAR WILDE: FROM THE DEPTHS (Lantern): A love that dared not speak its mind
With his brilliant work and tragic arc, Oscar Wilde remains a fascinating figure.
View More OSCAR WILDE: FROM THE DEPTHS (Lantern): A love that dared not speak its mindChatting with the Lantern’s Charles McMahon about his new play on Oscar Wilde
Charles McMahon discusses the inspiration, themes, and format of his new play on Oscar Wilde, prior to its world premiere with Lantern Theater Company.
View More Chatting with the Lantern’s Charles McMahon about his new play on Oscar WildeTHE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody
Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.
View More THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parodyDOUBT: A Parable (Lantern): Some things are certain
It may be daunting for theaters to produce the original theatrical source for a well-regarded movie, but Lantern Theater Company’s DOUBT shows why some plays are worth reclaiming for the stage.
View More DOUBT: A Parable (Lantern): Some things are certainIntimate Exchanges (1812 Productions): 2014 Fringe Review 1.2
What makes film different from theater is that film is fixed forever, performances and lines repeating endlessly year after year, while theater has the ability to surprise us. And what makes theater different from life is that theater is scripted and life is random, unexpected, not planned out ahead of time. And what makes Philadelphia’s FringeArts Festival fun is that it delights in performances that confound expectations.
View More Intimate Exchanges (1812 Productions): 2014 Fringe Review 1.2INTIMATE EXCHANGES (1812 Productions): Fringe Review 1.1
Alan Ayckbourn’s inventive rom-com about failing and budding mid-life relationships in suburban London is that the play (or more accurately, the first volume of the playwright’s original two-volume work that is performed here) offers sixteen plot options and eight different endings. And for the first time in its production history, 1812 shines the spotlight on random members of the audience to decide spontaneously which path the characters should take as they reach a series of crossroads in their lives.
View More INTIMATE EXCHANGES (1812 Productions): Fringe Review 1.1THE SCREWTAPE LETTTERS (Lantern): 60-second review
The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review
View More THE SCREWTAPE LETTTERS (Lantern): 60-second reviewTHE TRAIN DRIVER (Lantern): A haunting look across the tracks
There’s something haunting Roelf (Peter DeLaurier) in the Lantern Theater Company’s atmospheric production of Athol Fugard’s THE TRAIN DRIVER. Disturbed by the memory of a…
View More THE TRAIN DRIVER (Lantern): A haunting look across the tracksTHE BIG TIME: NEW VAUDEVILLE FOR THE HOLIDAYS (1812): Juggling seasonal laughs
Vaudeville has returned in all its glory with 1812’s THE BIG TIME: NEW VAUDEVILLE FOR THE HOLIDAYS. Pratfalls, double entendres, and caricatures of people past…
View More THE BIG TIME: NEW VAUDEVILLE FOR THE HOLIDAYS (1812): Juggling seasonal laughs