SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSETag: Kirsten Kunkle
SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
View More SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2MACHINAL (EgoPo): Welcome to the machine
A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.
View More MACHINAL (EgoPo): Welcome to the machineJUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1[35] OPERA MACABRE: EDGAR ALLAN POE (Philadelphia Opera Collective): Fringe review
An original chamber opera by the exciting young Philadelphia Opera Collective, OPERA MACABRE—which fittingly opened on Friday the 13th!—captures all the hair-raising suspense and psychological…
View More [35] OPERA MACABRE: EDGAR ALLAN POE (Philadelphia Opera Collective): Fringe review