Arthur Conan Doyle’s fictional detective stories are well suited to stage, with strong characters, a firm setting, and delicious plot lines.
View More Sherlock Holmes at Home in Northwest Philadelphia: THE VALLEY OF FEAR at the Ebeneezer Maxwell Mansion
The much-loved little Shubin Theatre is closing. Rich Rubin shares his memories and thoughts.
View More Making Dreams Happen: The closing of the Shubin Theatre
Josh Hitchens delivers a spine-chilling tour de force in his solo dramatization of one of the world’s most terrifying horror stories.
View More STOKER’S DRACULA (Josh Hitchens): 60-second review
One way to focus on the extraordinary eloquence and drama of Shakespeare’s language is to eliminate all visual distraction, and that is precisely what John Schultz has done in TILL BIRNAM WOOD—a rapid-fire 55-minute adaptation of Macbeth that is performed before a blindfolded audience.
View More TILL BIRNAM WOOD (John Schultz): Fringe Review 30
SOME ARE PEOPLE is about summer people. Those people who come into our lives for a time and then go back to wherever they came from, leaving us changed forever.
View More SOME ARE PEOPLE (Quince, GayFest! 2014): Summer loving is no drag
It’s hard to imagine a better set design for Henrik Ibsen’s devastating feminist classic than the living room of the Ebenezer Maxwell Mansion Victorian House…
View More A DOLL’S HOUSE (Ebenezer Maxwell Mansion): 60-second review
Irish playwright Conor McPherson has been called the “finest dramatist of his generation” (London Telegraph) with works that are “as near to perfection as a play can come”…
View More Conor McPherson’s The Weir: Subtlety and the Supernatural at the Curio Theatre