Pulitzer winners aren’t always great theatrical works, but they are often very revealing about the times in which they won
View More FAIRVIEW (Wilma): 60-second reviewTag: Jaylene Clark Owens
Winning a Pulitzer, Directing a Pulitzer-winner
2022 Pulitzer Prize winner James Ijames directs the 2019 Pulitzer winner Fairview at the Wilma.
View More Winning a Pulitzer, Directing a Pulitzer-winnerPASSAGE (Wilma): Love and death in Country X
The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.
View More PASSAGE (Wilma): Love and death in Country XBLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veins2017 Barrymore nominees: In their own words
Phindie asked this year’s crop of Barrymore Award nominees about their experience of being nominated.
View More 2017 Barrymore nominees: In their own wordsSix Questions for Six Directors: John O’Hara’s 12 CHAIRS gets a revamped production
Female-centric theater group ReVamp Collective presents 12 CHAIRS.
View More Six Questions for Six Directors: John O’Hara’s 12 CHAIRS gets a revamped productionAN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
View More AN OCTOROON (Wilma): A melodrama, a social commentary, an experienceMOON MAN WALK (Orbiter 3): Interstellar overdrive
James Ijames’s MOON MAN WALK, the first offering by new playwrights’ collective Orbiter 3 presents a fantasy world and a very real story. And a manic pixie girl.
View More MOON MAN WALK (Orbiter 3): Interstellar overdriveRED SPEEDO (Theatre Exile): A dive into the waters of amorality
“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.
View More RED SPEEDO (Theatre Exile): A dive into the waters of amoralityA Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.
View More A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDOFreezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames
“You will be broken and put back together again,” as one theatregoer commented on Facebook.
Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.
View More Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames