British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
View More From the UK to Philadelphia to Broadway: An interview with actor Harry SmithTag: Harry Smith
PHOTOGRAPH 51 (Lantern): Discovering the secret of life
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
View More PHOTOGRAPH 51 (Lantern): Discovering the secret of lifeAND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun
Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40
View More AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of funTHE BODY OF AN AMERICAN (Wilma): War lives in all of us
Did anyone anywhere actually believe that being photographed would take away the soul, or is that the kind of ethnocentric nonsense we need good foreign journalism to counter?
View More THE BODY OF AN AMERICAN (Wilma): War lives in all of usTHE REAL THING (The Wilma): Exquisite dialogue shines through spotty production
Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.
View More THE REAL THING (The Wilma): Exquisite dialogue shines through spotty productionPRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency England
PRIDE & PREJUDICE, Jane Austen’s classic tale of class, courtship, and decorum in 19th-century England, celebrated its 200th anniversary in 2013. People’s Light & Theatre…
View More PRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency EnglandEMMA (Lantern): Meddlesome Matchmaking and Regency Amusements
The Lantern opens its twentieth anniversary season with the Philadelphia premiere of Jane Austen’s class-conscious romantic comedy of manners, in which a young idle-rich heroine’s…
View More EMMA (Lantern): Meddlesome Matchmaking and Regency AmusementsEMMA (Lantern): Philly falls for Austenmania
Over the past few years, there’s been a surprising and unlikely spark of interest in Jane Austen. Austen’s novels—Pride & Prejudice, Sense & Sensibility, Persuasion, et al—have…
View More EMMA (Lantern): Philly falls for Austenmania60-second review: THE HAND OF GAUL (Inis Nua)
A pleasingly unpretentious comedy, THE HAND OF GAUL is something of a departure for Inis Nua, which generally produces serious works by contemporary Irish and…
View More 60-second review: THE HAND OF GAUL (Inis Nua)