Two stories are retold in parallel structure—the 1968 assassination of Robert F. Kennedy and the 2015 Umpqua Community College shooting.
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Tag: Ginger Dayle
Is there money in theater? Where does it come from? Who gets it?
Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.
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HINCKLEY (New City Stage): Life, Death, Celebrity
“Anything’s possible in a world where media rules all.” In 1981, John W. Hinckley Jr. fired into president Ronald Reagan’s entourage, hitting four men, including…
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RFK (New City Stage): An American tragedy
Director Ginger Dayle and sound and video designer Ren Manley intersperse audio and visuals from the 1960s in New City Stage Company’s RFK, complementing Widdall’s powerful performance with a great soundtrack and contextualizing video clips. Following pre-show newsreels from JFK’s assassination, the play begins in 1964—eight months after the fateful day in Dallas.
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Revisiting New City Stage Company’s RFK
Since my original review of New City Stage Company’s stellar production of RFK in October 2012 (reprinted below), the show was featured in Washington, DC’s…
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AMERICAN SLIGO (New City): Wrestling with dysfunction
The American dysfunctional family was the theme of New City Stage Company’s successful 2012/13 season, and it would be hard to find a play which…
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Tax time. Is there any money in theater?
Like the rest of us, theater companies have to file taxes. This tax day, we look at some information from the most recent publicly available tax returns (generally 2012) for some major and independent Philadelphia companies.
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RFK (New City Stage): Remembering the Turmoil and Ideals of the Sixties
With all the mud-slinging in the current American presidential campaign and negativity about the state of our nation, it is an appropriate time, before the…
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A Taste of the Fringe in Early Summer: New City Stage Presents Two Sam Shepard Shorts
The Edinburgh Fringe Festival receives hundreds of applications from American drama troupes every year. Philadelphia’s New City Stage Company is in talks to become one…
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New City’s TERRORISM Presents a Sardonic Look at Modern Life
Passenger: It’s madness — what sort of an age do we live in? You don’t feel safe anywhere now, only at home… First Passenger: At…
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WHY TORTURE IS WRONG AND THE PEOPLE WHO LOVE THEM (New City): Side-Splitting Satire on a Timely Topic
Written by Durang (a Bucks County native) in 2009, in the aftermath of Abu Ghraib and in the midst of America’s unending involvement in the Middle East, WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM will have you howling, as well as questioning the sanity of our elected officials, national security advisers, and the growing reactionary fringe of our voting populace (if you don’t already).
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It’s The End of the World As We Knew It: New City’s PTERODACTYLS at the Adrienne
PTERODACTYLS takes place in a sterile Main Line living room (set design Cory Palmer), a fitting setting for a work reminiscent of Victorian drawing room…
View More It’s The End of the World As We Knew It: New City’s PTERODACTYLS at the Adrienne