David Hare has the uncanny knack of being able to talk out of both sides of his mouth.
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Tag: Genevieve Perrier
Revisiting Pinter’s BETRAYAL: A commentary
An attempt to detangle this nine-scene play that’s designed to move backwards
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BETRAYAL (Lantern): Reversal of fortunes
Pinter’s use of reverse chronology highlights depths beyond the quiet drama and sedate setting.
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THE GAP (Azuka): Self-discovery onstage
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.
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THE WOMEN (EgoPo): An engaging show turns a trifle into a treatise
Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.
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PHOTOGRAPH 51 (Lantern): Discovering the secret of life
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
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DETROIT (PTC): Where the American Dream goes to die
Cities and thrones and powers/ Stand in time’s eye,/ Almost as long as flowers,/ Which daily die
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THE 39 STEPS (Theatre Horizon): Thriller? I hardly know her!
Plot-wise, 39 STEPS stays quite true to the original film (often down to the dialogue), with a few other Hitchcock references thrown in for good measure. The difference? This play is the height of camp.
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Video Preview: Hitchcock’s THE 39 STEPS at Theatre Horizon
Dunk the master of mystery in a vat of absurdity and you have Alfred Hitchcock’s THE 39 STEPS, a zany adaptation of the 1935 movie.…
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THE LADY FROM THE SEA (Egopo): Bare production showcases Ibsen’s mental gymnastics
Henrik Ibsen’s name is so thoroughly canonized in theater history that it’s easy to forget just how progressive the man was as a playwright. Works…
View More THE LADY FROM THE SEA (Egopo): Bare production showcases Ibsen’s mental gymnastics
A CHILD’S CHRISTMAS IN WALES (Lantern): 60-second review
Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on…
View More A CHILD’S CHRISTMAS IN WALES (Lantern): 60-second review
A CHILD’S CHRISTMAS IN WALES (Lantern): Idyllic visions of a holiday past
Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.
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Studio X-hibition at Studio X
On May 6 this reviewer took in the second of three play readings in Theatre Exile’s New Play Development Series. On tap was FLESH, celebrated…
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60-second review: SEMINAR (PTC)
Writers will find much familiar in Theresa Rebeck’s SEMINAR, which brilliantly satirizes writerly blowhards (a proportionally large subset) and the self-seriousness necessary to pursue this art.…
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A Demonic Tour de Force: The Screwtape Letters Returns to the Lantern Theater Company
C.S. Lewis‘s The Screwtape Letters is more overtly religious than his allegorical children’s books. But just as an appreciation for the Narnia tales does not require a…
View More A Demonic Tour de Force: The Screwtape Letters Returns to the Lantern Theater Company
Bruce Graham Scores Again with Theatre Exile’s Any Given Monday at Plays & Players Theater
Acclaimed local playwright Bruce Graham returns toTheatre Exile with Any Given Monday (now onstage at Plays & Players Theater), a sport-themed world premiere geared to ride the success of…
View More Bruce Graham Scores Again with Theatre Exile’s Any Given Monday at Plays & Players Theater