Is the Christmas period still a financial savior for their theaters and choruses.
View More The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?Tag: Gabriel Rebolla
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51
The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.
View More BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51