Tom Stoppard’s newest play Leopoldstadt is coming to New York, and once again he is being talked about as if he were the second coming…
View More TRAVESTIES (Lantern): A play of ideas married to farceTag: Campbell O’Hare
DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
View More DESCRIBE THE NIGHT (Wilma): Put on your thinking capsDANCE NATION (Wilma): What it means to be ferociously pubescent
The constant menace of teenage ambition hums under the entire production.
View More DANCE NATION (Wilma): What it means to be ferociously pubescentTHERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe reviewTHERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
View More THERE (Wilma): 2019 Fringe reviewTheater in Sketch: CHARLOTTE’S WEB (Arden Theatre)
Looking at Arden Childrens Theater in words and sketch
View More Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)Theater in Sketch: CHARLOTTE’S WEB (Arden)
Anaya Strutz puts on an aerial silk performance to create the miraculous spider web that saves Wilbur.
View More Theater in Sketch: CHARLOTTE’S WEB (Arden)WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review
WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries
View More WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe reviewWerewolves, Mimosas, and Late Night Fringe: ON THE ROCKS Uncorks its Latest Show
On the Rocks trust the process.
View More Werewolves, Mimosas, and Late Night Fringe: ON THE ROCKS Uncorks its Latest ShowBLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veinsTHE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
View More THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe reviewHow should Philadelphia Theatre Company rebrand itself?
Cameron Kelsall has some ideas for the new executive director.
View More How should Philadelphia Theatre Company rebrand itself?ADAPT! (Wilma): On the brink of dawn
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!
View More ADAPT! (Wilma): On the brink of dawnNeal Zoren’s BEST OF PHILADELPHIA THEATER, 2016
Neal Zoren chose his favorite productions, directors, and actors from the last year.
View More Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016MAURITIUS (Act II): Feeling the philatelia
Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS
View More MAURITIUS (Act II): Feeling the philateliaBIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
View More BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
View More A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of PhiladelphiaDeb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
View More Deb Miller’s Top Picks for the 2016 Philadelphia Fringe FestivalTHE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel something
New Freedom Theatre’s latest teaches us that anger is a valid reaction to any play that depicts racial injustice.
View More THE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel somethingTHE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subject
An intense and impactful bio-play on Bradley Manning makes its powerful American debut in a stellar production by Inis Nua.
View More THE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subject