A quick, masterful production that would make Brecht proud.
View More THE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second reviewTag: Brian Anthony Wilson
GEM OF THE OCEAN (Arden): A thing of beauty
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
View More GEM OF THE OCEAN (Arden): A thing of beautyTheater in Sketch: CHARLOTTE’S WEB (Arden Theatre)
Looking at Arden Childrens Theater in words and sketch
View More Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)SWEAT (PTC): What’s the matter with Reading?
Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?
View More SWEAT (PTC): What’s the matter with Reading?LAY ME DOWN SOFTLY (Irish Heritage Theatre): 2018 Fringe review
A version of this review was also published on Foley Got Comped. Irish Heritage Theatre is purely a labor of love. All of the company…
View More LAY ME DOWN SOFTLY (Irish Heritage Theatre): 2018 Fringe reviewI AM NOT MY MOTHERLAND (Orbiter 3): A different kind of interactive theater
Encourages its audience to pay attention, and compels us into conversation afterward.
View More I AM NOT MY MOTHERLAND (Orbiter 3): A different kind of interactive theaterKnow KING JOHN: Helen Mirren and other stars promote Philly production of little-known Shakespeare play
Revolution Shakespeare has put together a truly all-star line-up for its promotional video for KING JOHN, this year’s fall Shakespeare production in Hawthorne Park.
View More Know KING JOHN: Helen Mirren and other stars promote Philly production of little-known Shakespeare playDRIVING MISS DAISY (Act II): A production in the drivers seat
An elderly Jewish lady and a young African American strike up an unexpected and unusual friendship.
View More DRIVING MISS DAISY (Act II): A production in the drivers seatRAGE OF ACHILLES (CCTC): The absurdity and tragedy of war
Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.
View More RAGE OF ACHILLES (CCTC): The absurdity and tragedy of warNot of an Age: Remembering 10 years of Shakespeare in Clark Park
Performers past and present share their thoughts and memories on a decade of Shakespeare in Clark Park.
View More Not of an Age: Remembering 10 years of Shakespeare in Clark ParkHANDS UP (Flashpoint): From micro- to macro- aggressions
As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.
View More HANDS UP (Flashpoint): From micro- to macro- aggressionsA MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.
View More A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!A Love Made in Shakespeare: Valentine’s Day performance with the Philadelphia Orchestra and the Philadelphia Shakespeare Theatre
The Philadelphia Orchestra and the Philadelphia Shakespeare Theatre are giving each other greeting cards, buying each other flowers, and teaming up for a one-night-only concert of music and performance.
View More A Love Made in Shakespeare: Valentine’s Day performance with the Philadelphia Orchestra and the Philadelphia Shakespeare TheatreBEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytale
Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.
View More BEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytaleFENCES (People’s Light): On broken dreams and the hope for change
The 2nd production by People’s Light from Wilson’s “Century Cycle”, FENCES is an engaging and profound examination of very human characters dealing with very challenging circumstances,
View More FENCES (People’s Light): On broken dreams and the hope for changeFringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse
Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.
View More Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David MorseMAN OF LA MANCHA (Act II): 60-second review
MAN OF LA MANCHA is a play within a play. The production is the clear result of what happens when a group of professionals pour their talents into a common goal.
View More MAN OF LA MANCHA (Act II): 60-second reviewWATER BY THE SPOONFUL (Arden Theatre): Dissonance v. harmony
The tragic news of Phillip Seymour Hoffman’s death by OD has, for the moment, wrested the subject of substance abuse from the shadows and thrust…
View More WATER BY THE SPOONFUL (Arden Theatre): Dissonance v. harmonyInterAct’s ASSASSIN Hits Hard
Every week there seems to be another news story about the dangers of NFL football. The average career length for an outfield offensive player (running…
View More InterAct’s ASSASSIN Hits HardShakespeare in Philadelphia: The Arden’s Romeo and Juliet Introduces a Season of the Bard
Four hundred years after his death, William Shakespeare remains the world’s most produced playwright. For evidence of his enduring popularity look no further than the region’s stages:…
View More Shakespeare in Philadelphia: The Arden’s Romeo and Juliet Introduces a Season of the Bard