James Ijames won the Pulitzer Prize for Fat Ham, which is now running on Broadway; his even newer play, Abandon, has just opened at Theatre Exile.
View More FAT HAM + ABANDON: Considering James Ijames’s new and newer work
Tag: Brett Ashley Robinson
FAIRVIEW (Wilma): 60-second review
Pulitzer winners aren’t always great theatrical works, but they are often very revealing about the times in which they won
View More FAIRVIEW (Wilma): 60-second review
Winning a Pulitzer, Directing a Pulitzer-winner
2022 Pulitzer Prize winner James Ijames directs the 2019 Pulitzer winner Fairview at the Wilma.
View More Winning a Pulitzer, Directing a Pulitzer-winner
DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
View More DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
DANCE NATION (Wilma): What it means to be ferociously pubescent
The constant menace of teenage ambition hums under the entire production.
View More DANCE NATION (Wilma): What it means to be ferociously pubescent
MR BURNS (Wilma): Darkness on the edge of Springfield
Civilization has collapsed but The Simpsons is still going.
View More MR BURNS (Wilma): Darkness on the edge of Springfield
THE LIGHT PRINCESS (Arden): An elixir of make-believe
The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe
View More THE LIGHT PRINCESS (Arden): An elixir of make-believe
FEED (Applied Mechanics): 2016 Fringe review 14
Narrative, fiction, performance, and reality collide through the breaking of bread.
View More FEED (Applied Mechanics): 2016 Fringe review 14
#THEREVOLUTION (InterAct): The vapid rebellion
What would happen if a bunch of early-20-something city-dwelling music-video-watching lower-middle-class variously privileged poorish Americans launched a violent revolution against the state?
View More #THEREVOLUTION (InterAct): The vapid rebellion