Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
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Tag: Ashton Carter
Theater in Sketch: TIME REMEMBERED (IRC)
Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5
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TIME REMEMBERED (IRC): What is love and how do we kill it?
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
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Theater in Sketch: Previewing TIME REMEMBERED (IRC)
I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.
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THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
View More THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
THE BROKEN HEART (Quintessence): Dark matter
Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.
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WILDE TALES (Quintessence): Where the WILDE things are
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have…
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Theater in Sketch: MOTHER COURAGE
Some sketches of some Brecht.
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MOTHER COURAGE AND HER CHILDREN (Quintessence): Epic theater!
Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.
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BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
View More BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
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THE STINKY CHEESE MAN (Arden): No cheese smells this good
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.
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LIGHTS RISE ON GRACE (Azuka): Cultural identities in the stage lights
Three cleverly interconnected survival stories about the complicated nature of life, love, and family.
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Richard II (Quintessence): Let us sit on the ground and tell sad stories of the death of kings
RICHARD II is a richly rewarding play, full of insightful and startling verse, but you might want to read a synopsis before seeing this production.
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Presidential Theater: New City Stage Company concludes its season with THE WEST WING FESTIVAL
New City Stage Company concludes its season-long look at at the American political summit with THE WEST WING FESTIVAL, a series of (FREE!) staged readings at the Adrienne Theater Skybox.
View More Presidential Theater: New City Stage Company concludes its season with THE WEST WING FESTIVAL