Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
View More Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.
View More BREATHE SMOKE (Orbiter 3): These are times of change
The Walnut’s production reveals the bones of an American classic if never quite fleshes out the potential of the enduring masterwork.
View More A MOON FOR THE MISBEGOTTEN (Walnut): 60-second review
The mysterious world of film noir is given a new twist as an all-female cast reconfigures the traditionally male crime-detective genre.
View More 901 NOWHERE STREET (Sam Tower + Ensemble): 2015 Fringe Review 25
The experimental work is a three-part meditation on the life and death of animals under the domination of the human gaze.
View More LET THE DOG SEE THE RABBIT (Lightning Rod Special): A conceptual look at humans looking at animals
Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40
View More AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun