Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
View More LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with loveTag: Amanda Jensen
THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
View More THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interestSPINE (Inis Nua): Beauty in the library stacks
Dramatizing the effects of public library closings doesn’t sound like the most engaging of topics, but playwright Clara Brennan weaves a beautiful story about the importance of seeing the people behind numbers and statistics.
View More SPINE (Inis Nua): Beauty in the library stacksSPINE (Inis Nua): A funny and poignant paean to libraries
A funny, touching, and uplifting 70-minute solo show considers the vital importance of books, libraries, and a supportive community on human happiness and development.
View More SPINE (Inis Nua): A funny and poignant paean to librariesTHE WHALE (Theatre Exile): Intelligence and transformation moving under the surface
Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.
View More THE WHALE (Theatre Exile): Intelligence and transformation moving under the surfaceNIGHTMARES IN NEVERLAND (Bri Shaw/Brian Clores/Brey Barrett/Haygen Walker): 2014 Fringe Review 47
Two original one-hour plays inspired by the life and popular children’s book of Scottish author J.M. Barrie
View More NIGHTMARES IN NEVERLAND (Bri Shaw/Brian Clores/Brey Barrett/Haygen Walker): 2014 Fringe Review 47THE SCREWTAPE LETTTERS (Lantern): 60-second review
The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review
View More THE SCREWTAPE LETTTERS (Lantern): 60-second review