Looking at Arden Childrens Theater in words and sketch
View More Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)Tag: Alex Keiper
THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point
THE HUMANS is a difficult play to like or to watch
View More THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the pointTOUCHTONES (Arden): This must be a bad connection
Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.
View More TOUCHTONES (Arden): This must be a bad connectionTOUCHTONES (Arden): 60-second review
This treacly throwback neither titillates nor liberates.
View More TOUCHTONES (Arden): 60-second review2017 Barrymore nominees: In their own words
Phindie asked this year’s crop of Barrymore Award nominees about their experience of being nominated.
View More 2017 Barrymore nominees: In their own wordsBUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
View More BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live hereHAND TO GOD (PTC): The human comedy with sock puppets
What a funny, nasty, smart show.
View More HAND TO GOD (PTC): The human comedy with sock puppetsLIZZIE (11th Hour): Lizzie Borden took an axe
This is what “stifled rage” sounds like. Not so stifled, but certainly enraged.
View More LIZZIE (11th Hour): Lizzie Borden took an axeSTUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
View More STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of ChekhovTHE SECRET GARDEN (Arden): Captivating mystery and haunting artistry
A superb cast and creative artistic design bring the story of traumatic loss and joyful renewal to life in the haunting musical adaptation of a Victorian classic.
View More THE SECRET GARDEN (Arden): Captivating mystery and haunting artistryMETAMORPHOSES (Arden): A swim with the gods
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.
View More METAMORPHOSES (Arden): A swim with the godsFIELD HOCKEY HOT (11th Hour): A champion of laughter
One does not know what to expect when walking into a production revolving around sports. Many seem to believe that sports and theater do not…
View More FIELD HOCKEY HOT (11th Hour): A champion of laughterINCORRUPTIBLE (Arden): Laughter in the monastery
The set of Michael Hollinger’s witty INCORRUPTIBLE looks like it has been there for hundreds of years, transporting one back to the days of monks…
View More INCORRUPTIBLE (Arden): Laughter in the monasteryDOWN PAST PASSYUNK (InterAct): Theater ‘wit’ a taste of South Philly
I once heard then-governor Ed Rendell give some cheesesteak advice: for the real deal don’t go to one of the big name line-around-the-block places, go to a food truck or your local deli and get one made-to-order. I was thinking about this truism and our prevailing infatuation with authenticity as I watched A. Zell Williams’s world premiere production of DOWN PAST PASSYUNK at InterAct Theatre.
View More DOWN PAST PASSYUNK (InterAct): Theater ‘wit’ a taste of South PhillyThe Arden Hits a High Note with A LITTLE NIGHT MUSIC
Stephen Sondheim’s transcendent musical exposé of love, liaisons, and life in 1900 Sweden.
View More The Arden Hits a High Note with A LITTLE NIGHT MUSIC