A remarkably original and gloriously entertaining version of the Marlowe play.
View More DOCTOR FAUSTUS (Quintessence): If you want to know everything, go to hell
Tag: Aaron Kirkpatrick
SAINT JOAN (Quintessence): The Maid’s new clothes
George Bernard Shaw’s play is presented in rich tonalities of color, light, positioning, and sound. It is wide awake.
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You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
Matt Pfeiffer discusses the Eugene O’Neill play ahead of PAC’s reading.
View More You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
DEATH OF A SALESMAN (Curio): Bringing Arthur Miller to life
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
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THE TAMING OF THE SHREW (Philadelphia Shakespeare Theatre): A woman moved
In her amusing staging of Shakespeare, director Carmen Khan focuses on the compromise, interplay, and transformative power of love which make up a mature relationship.
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KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54
Seven actors explain, enact, and parody a series of Shakespeare’s “bloody bits” in this fast, furious, and funny mash-up of The Bard’s iconic death and battle scenes.
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I HATE HAMLET (Montgomery): Paul Rudnick knows a hawk from a handsaw
I have seen a dozen productions of I HATE HAMLET, including the legendary Broadway staging that induced Evan Handler to complain to Actors Equity against co-star Nicol Williamson. This is one of the best.
View More I HATE HAMLET (Montgomery): Paul Rudnick knows a hawk from a handsaw