Wife and husband team Jennifer Summerfield and Kyle Cassidy are releasing their quarantine-themed adaptation of A Doll’s House to coincide with the one-year anniversary of Philly’s stay-at-home order,
View More Living in A DOLL’S HOUSE: An Ibsen adaption for these times
Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?
View More A DOLL’S HOUSE, PART 2 (Arden): Imagining another Nora
Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.
View More A DOLL’S HOUSE, PART 2 (Arden): After the slam
Chuck Schultz previews Lucas Hnath’s sequel to Ibsen’s classic.
View More A Door Slams, A Door Opens: Previewing A DOLL’S HOUSE PART 2 at the Arden
A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.
View More A DOLL’S HOUSE (Arden): Ibsen for our times
At SCRATCH NIGHT, the change from one artist to another is exciting.
View More Fringe in Sketch: SCRATCH NIGHT (FringeArts)
Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.
View More The International Philly Fringe: A welcome to 18 countries
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
View More A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.2
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
View More A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.1
This year’s festival presents over 30 dance events by newcomers and favorites. Dance writer Lew Whittington previews some highlights.
View More Dance at the Fringe: Lew Whittington on the Fringe line-up and other insights
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
View More Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
View More NORA (DTC): A riveting production of a feminist classic
A review by Victor Fiorillo of EgoPo Classic Theatre’s A Doll’s House got Phindie writer Julius Ferraro contemplating the role of reviewer. This is part of Phindie‘s…
View More Victor Fiorillo, A Doll’s House, and the role of the reviewer
A DOLL’S HOUSE, Henrik Ibsen’s classic tale of female confinement, is ripe for adaptation to the world of a teenage girl: the claustrophobia of a…
View More [8] A DOLL’S HOUSE (EgoPo Classic Theatre): Fringe review
There’s still a cachet and a natural audience draw when a work is staged in the center of town, and that’s still where most of…
View More Fringe Preview 9: Center City Fringe
It’s hard to imagine a better set design for Henrik Ibsen’s devastating feminist classic than the living room of the Ebenezer Maxwell Mansion Victorian House…
View More A DOLL’S HOUSE (Ebenezer Maxwell Mansion): 60-second review
August is not the best of theater months. For most theaters, mainstream and small, the season is still a September or October to May session.…
View More Don’t Worry Philly, There Will Be Theater in August
HUSH NOW SWEET HIGH HEELS AND OAK by Brian Sanders’ JUNK (Photo credit: Steve Belkowitz) This year’s FringeArts Festival has a new name, but the…
View More Deb Miller’s Top Picks for FringeArts 2013