“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
View More “I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik EgerThe Philadelphia Orchestra pulls in an audience with a surprisingly good Philadelphia Voices
Philadelphia Voices is about a lot more than cheesesteaks!
View More The Philadelphia Orchestra pulls in an audience with a surprisingly good Philadelphia VoicesTheater in Sketch: THE RAPE OF LUCRECE (PAC at the Rosenbach)
It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.
View More Theater in Sketch: THE RAPE OF LUCRECE (PAC at the Rosenbach)Talkback in Sketch: HUMAN RITES (InterAct)
A recent performance of HUMAN RITES, a world premiere production by InterAct Theatre, featured a talk with cultural psychologist Richard Shweder, whose work inspired playwright Seth Rozin.
View More Talkback in Sketch: HUMAN RITES (InterAct)HUMAN RITES (InterAct): I say tomato, you say genital mutilation
HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.
View More HUMAN RITES (InterAct): I say tomato, you say genital mutilationFour Theatermakers (Re)Focus on Diversity
The second (re)Focus Fest brings together four companies using performance to spark discussion about narrative, perspective, and history.
View More Four Theatermakers (Re)Focus on DiversityNOISES OFF (Walnut St): Hi-jinks prevail
The chestnut sails in Frank Anzalone’s production of NOISES OFF at the Walnut Street Theatre, but not consistently.
View More NOISES OFF (Walnut St): Hi-jinks prevailJULIUS CAESAR (Quintessence): Why must republics fall?
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
View More JULIUS CAESAR (Quintessence): Why must republics fall?I WILL NOT GO GENTLY (People’s Light): Third time’s a charm
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY.
View More I WILL NOT GO GENTLY (People’s Light): Third time’s a charmPhiladelphia Theater Calendar April 2018
Find out what’s onstage in Philadelphia this April with our useful Philadelphia theater calendar.
View More Philadelphia Theater Calendar April 2018SCHOOL OF ROCK (National tour at the Academy of Music): Amiable mediocrity
Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.
View More SCHOOL OF ROCK (National tour at the Academy of Music): Amiable mediocrityDance in Sketch: FAITH PROJECT THE DOOR (Kun-Yang Lin/Dancers)
Artist Chuck Schultz visits the Prince Theater for the latest show from KYL/D.
View More Dance in Sketch: FAITH PROJECT THE DOOR (Kun-Yang Lin/Dancers)How to Survive an Art School
Art school is just not as easy as it sounds.
View More How to Survive an Art SchoolWe Come to Rock: Local SCHOOL OF ROCK star talks about the touring production
Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.
View More We Come to Rock: Local SCHOOL OF ROCK star talks about the touring productionFROZEN (Isis Productions): Forgiveness, redemption, and moving on
Neill Hartley’s ensemble for FROZEN makes the most of all the emotion and thoughtfulness Bryony Lavery invests in his play of forgiveness, redemption, and moving on.
View More FROZEN (Isis Productions): Forgiveness, redemption, and moving onTHE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
View More THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt notLahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and Prokofiev
Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
View More Lahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and ProkofievTHE BLUEST EYE (Arden): Bringing Toni Morrison to the stage
In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
View More THE BLUEST EYE (Arden): Bringing Toni Morrison to the stageCROWNS (McCarter): 60-second review
Regina Taylor’s CROWNS is an entertaining and telling musical about traditions among African-American women
View More CROWNS (McCarter): 60-second reviewALWAYS…PATSY CLINE (Media Theatre): 60-second review
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and…
View More ALWAYS…PATSY CLINE (Media Theatre): 60-second review