TYDINGS TREW (Piffaro): Shining with warmth and light
Is it anachronistic to seek out Renaissance music in this age of cybernetics?
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George Balanchine’s THE NUTCRACKER (PA Ballet): Much more than a holiday tradition
A brilliant NUTCRACKER shows the company’s heightened artistry.
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A Decade in Review
Phindie after 10 years.
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ON THE EXHALE (Theatre Exile): A one-woman show handles a loaded issue
Martin Zimmerman’s visceral, thoroughly modern, elegant one-woman show inspired by the tragic 2012 Sandy Hook Elementary School mass shooting.
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To the Core: InterAct’s residency program culminates in four free readings
InterAct’s 2018/19 Core Playwrights Program culminates in a series of free readings showcasing the work of four local playwrights.
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SPONGEBOB THE MUSICAL (Forrest Theatre): An Unlikely Hero
Philadelphia gets a visit from Bikini Bottom in Spongebob the Musical.
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FALL SERIES (BalletX): Stellar ballet
An unexpected holiday show from BalletX
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LITTLE JOE (dir. Jessica Hausner): Film review
A high concept, a solid design, and more than a few creepy moments rooted in existential terror, but struggles to fill a feature-length run-time
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On Target: Matt Pfeiffer talks about directing ON THE EXHALE
Director Matt Pfeiffer talks about directing a one-actor play about gun violence
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LITTLE RED ROBIN HOOD (People’s Light): What is a panto?
Takeaway: Bring your kids to this unique Philadelphia area tradition!
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[nyc] A New(ish) EVITA at New York City Center
Director Sammi Cannoid brings a lot of thought to the Webber/Rice juggernaut EVITA. Can the show’s libretto handle it?
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Top Secrets of Passing Microsoft 70-740 Exam: Do Exam Dumps Help?
Most employers in the world rely on IT professionals with validated tech knowledge and skills.
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Philadelphia Theater Calendar December 2019
Philadelphia theater calendar for December 2019
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Live Casino vs Traditional Casinos
Live casino is an important part of online casino, but how does it fair alongside traditional casinos?
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Neal Zoren’s Plays to See in Philadelphia This December
Previewing December theater in Philadelphia
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Comedy in Sketch: YOUR SUNDAY BEST
An awesome recurring show with a line up of comedians and comic performers
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AWAY (dir. Gints Zilbalodis): Film review
A terrifying yet starkly beautiful world
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[nyc] SLAVE PLAY (Golden Theatre): Process this!
Jeremy O. Harris’ brilliant SLAVE PLAY is designed to shock, provoke, and trigger. It succeeds on all fronts.
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AN ILIAD (Arden): Rage returns to Ilium
A bold, visceral performance giving the strong script its due.
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[nyc] YOUNG MAN FROM ATLANTA (Signature Theatre): Times change
The style—despite a major cast—might be best described as wooden realism
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