Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
THE WOLVES has been reconfigured as a virtual performance, with the same talented all-female-identifying cast and the same devastating drama.
View More Directing THE WOLVES: Nell Bang-Jensen helms a talented team at PTCAt Mending Spirit, Art for Healing, we often speak about casting one pebble into one pond.
View More Fig Tree Stories: Elder tales told during interesting timesWilliam Inge, his place in the American dramatic canon, and queer coding.
View More Picnic by William Inge (1953): Chosen by Committee Episode 31In Will Arbery’s HEROES OF THE FOURTH TURNING, four Catholic conservative friends gather at a late-night backyard party in Wyoming, shortly before the 2017 eclipse.…
View More Recording HEROES: Wilma’s Kellie Mecleary talks about producing a digital, site-specific productionHanna Gaffney’s character is the center of much of the action in Sarah DeLappe’s wonderfully naturalistic new play
View More Tackling THE WOLVES: Star Hanna Gaffney talks about working on the new PTC productionHave you ever craved a different form of creative inspiration? Then meet Henri Matisse, one of the greatest artists in all of modern art. With…
View More Henri Matisse’s 8 Art StylesTouching on issues of mental illness, fitting into a crazy world, and hating your wife, THE SHRIKE marks the high water mark for Philadelphia playwright Joseph Kramm.
View More The Shrike by Joseph Kramm (1952): Chosen by Committee Episode 30Jackie Chan, who is now in his sixties, shows us he can still exchange punches and kicks with the best of them.
View More Vanguard (dir. Stanley Tong): Film reviewRecorded on the night after the U.S. Presidential Election: John, Josh, and Chris discuss Rogers and Hammerstein’s South Pacific as well as the duos previous…
View More South Pacific by Rogers and Hammerstein (1950): Chosen by Committee Episode 29Buying podcast equipment for the perfect setup is probably the first huge hurdle that aspiring podcasters may face.
View More 9 Types of Equipment You’ll Need for Your PodcastBy mashing up horror tropes with sci-fi concepts, Christopher Landon creates movies that are fun to watch, above all else
View More FREAKY (dir. Christopher Landon): Film reviewSo many new movies, TV series, games, and other entertainers are launched everyday which you want to enjoy. All these come with expensive subscriptions which…
View More Watch latest movies for freeHopefully the circulation of this new print of Deadline will lead to some rowdy retrospective screenings once they’re safe to hold again.
View More Deadline (1980 – dir. Mario Azzopardi): Philadelphia Film Festival reviewFrank Zappa is a walking contradiction.
View More Zappa (2020 – dir. Alex Winter): Philadelphia Film Festival reviewThis is one of those “the less you know, the better” movies, not because anything so surprising happens that you wouldn’t want to be spoiled,…
View More The Killing of Two Lovers (2020 – dir. Robert Machoian): Philadelphia Film Festival reviewA very entertaining window into an unfamiliar world, filled with familiar characterizations of real, devastatingly human people.
View More Digger (dir. Georgis Grigorakis): Philadelphia Film Festival reviewThe movie rocks. I’ve never seen anything like it.
View More Night of the Kings (dir. Philippe Lacôte): Philadelphia Film Festival reviewWe often forget that back in the day, civil rights leader, Martin Luther King Jr. was a very controversial figure.
View More MLK/FBI (dir. Sam Pollard): Philadelphia Film Festival reviewWe talk about Arthur Miller, specifically Death of.a Salesman (1949) with a dash of All my Sons, as a treat.
View More Death of a Salesman by Arthur Miller (1949): Chosen by Committee episode 28Complex characters and shocking plot twists in service of a story that brings a female flavor to a typically male-dominated subgenre
View More I’m Your Woman (2020 – dir. Julia Hart): Philadelphia Film Festival review