Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
When Susan Wefel moved into Hedgerow Theatre’s farmhouse in Rose Valley, PA, she was the youngest person in the building. Thirty-six years and dozens of performances later, she’s still going strong.
View More 36 years at Hedgerow House and Theater: Longtime fellow Susan Wefel’s life in her theatrical homeCompleted in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at…
View More THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of ChekhovThis is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
View More STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee WilliamsNot many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.
View More THE WHALE (Theatre Exile): Intelligence and transformation moving under the surfaceKatherine and Cal seem uncomfortable together, and we soon learn why: they are forever connected by the death of Andre.
View More MOTHERS AND SONS (PTC): Closure, revenge, and life after AIDSOne of the most shameful aspects in modern US history took place during World War II, when large numbers of Japanese-American citizens of all ages,…
View More However Painful the History: Interview with Jeanne Sakata, playwright of HOLD THESE TRUTHS (P&P)It’s more than the classic boy meets girl, boy likes girl, girl is cold to boy tale:. Rachel Bonds’s MICHAEL & EDIE is a whirlwind of realization, emotion, and introspection.
View More MICHAEL & EDIE (Villanova Theater): 60-second reviewTheatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
View More INTO THE WOODS (Theatre Horizon): Agony is ecstasyHenrik Eger talks to playwright Michael Hollinger about his latest work, UNDER THE SKIN.
View More UNDER THE SKIN Gets Under My Skin: Interview with playwright Michael HollingerWe see the tragedy of Oscar Wilde’s life played out creatively and movingly in OSCAR, a thoughtfully crafted opera by Theodore Morrison and John Cox,
View More OSCAR (Opera Philadelphia): High notes and low in the life of Oscar WildeThe Philadelphia Orchestra and the Philadelphia Shakespeare Theatre are giving each other greeting cards, buying each other flowers, and teaming up for a one-night-only concert of music and performance.
View More A Love Made in Shakespeare: Valentine’s Day performance with the Philadelphia Orchestra and the Philadelphia Shakespeare TheatreWorld-renowned comic actor Bill Irwin kicks off of on-stage interviews with some of the major theater artists this Monday, February 16
View More Bill Irwin, Billy Porter, and Anna Deavere Smith: Theatre Masters at PTCFor THE WHALE, Scott Greer takes an hour putting on his 50 pound costume. The photo essay looks at the elaborate costuming process.
View More Becoming THE WHALE: Scott Greer puts on pounds for Theatre Exile show [photo essay]Turning sixty is a big milestone,. South Philadelphia-based songwriter Charles Gilbert is celebrating in a different and rather unconventional way.
View More A Musical Countdown to 60: Charles Gilbert and his song-a-day Project 194A sensational production of Franz Kafka’s story, utilizing sound, movement, color, and light to transport the audience into the eerie world of salesman-turned-cockroach Gregor Samsa .
View More THE METAMORPHOSIS (Quintessence): Leave the bug spray at homeNow in its third year, An Evening of Duets featured twelve different companies from Philadelphia to New York City.
View More An Evening of Duets: Dance reviewIngmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
View More NORA (DTC): A riveting production of a feminist classicWhat do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do…
View More LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deceptionNew artistic director Angel Corella was able to take full advantage of works by George Balanchine, Christopher Wheeldon and a premiere from resident choreographer Matthew Neenan, to start to show his retooling of the company.
View More PRODIGAL SON (PA Ballet): Ballet forward with CorellaCline is a natural subject for the theater. Although the sad facts of Patsy’s marriage and difficult personal life are alluded to, ALWAYS… PATSY CLINE is more about a relationship a star was able to form with a fan than a full biography of the singer.
View More ALWAYS… PATSY CLINE (Bristol Riverside): Sweet dreams of a country superstar