MILK LIKE SUGAR (Simpatico): Dreams and reality
Everyone wants to feel special. This longing to be acknowledged is at the core of Kirsten Greenidge’s MILK LIKE SUGAR.
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36 years at Hedgerow House and Theater: Longtime fellow Susan Wefel’s life in her theatrical home
When Susan Wefel moved into Hedgerow Theatre’s farmhouse in Rose Valley, PA, she was the youngest person in the building. Thirty-six years and dozens of performances later, she’s still going strong.
View More 36 years at Hedgerow House and Theater: Longtime fellow Susan Wefel’s life in her theatrical home
THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov
Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at…
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STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
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THE WHALE (Theatre Exile): Intelligence and transformation moving under the surface
Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.
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MOTHERS AND SONS (PTC): Closure, revenge, and life after AIDS
Katherine and Cal seem uncomfortable together, and we soon learn why: they are forever connected by the death of Andre.
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However Painful the History: Interview with Jeanne Sakata, playwright of HOLD THESE TRUTHS (P&P)
One of the most shameful aspects in modern US history took place during World War II, when large numbers of Japanese-American citizens of all ages,…
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MICHAEL & EDIE (Villanova Theater): 60-second review
It’s more than the classic boy meets girl, boy likes girl, girl is cold to boy tale:. Rachel Bonds’s MICHAEL & EDIE is a whirlwind of realization, emotion, and introspection.
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INTO THE WOODS (Theatre Horizon): Agony is ecstasy
Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
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UNDER THE SKIN Gets Under My Skin: Interview with playwright Michael Hollinger
Henrik Eger talks to playwright Michael Hollinger about his latest work, UNDER THE SKIN.
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OSCAR (Opera Philadelphia): High notes and low in the life of Oscar Wilde
We see the tragedy of Oscar Wilde’s life played out creatively and movingly in OSCAR, a thoughtfully crafted opera by Theodore Morrison and John Cox,
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A Love Made in Shakespeare: Valentine’s Day performance with the Philadelphia Orchestra and the Philadelphia Shakespeare Theatre
The Philadelphia Orchestra and the Philadelphia Shakespeare Theatre are giving each other greeting cards, buying each other flowers, and teaming up for a one-night-only concert of music and performance.
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Bill Irwin, Billy Porter, and Anna Deavere Smith: Theatre Masters at PTC
World-renowned comic actor Bill Irwin kicks off of on-stage interviews with some of the major theater artists this Monday, February 16
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Becoming THE WHALE: Scott Greer puts on pounds for Theatre Exile show [photo essay]
For THE WHALE, Scott Greer takes an hour putting on his 50 pound costume. The photo essay looks at the elaborate costuming process.
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A Musical Countdown to 60: Charles Gilbert and his song-a-day Project 194
Turning sixty is a big milestone,. South Philadelphia-based songwriter Charles Gilbert is celebrating in a different and rather unconventional way.
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THE METAMORPHOSIS (Quintessence): Leave the bug spray at home
A sensational production of Franz Kafka’s story, utilizing sound, movement, color, and light to transport the audience into the eerie world of salesman-turned-cockroach Gregor Samsa .
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An Evening of Duets: Dance review
Now in its third year, An Evening of Duets featured twelve different companies from Philadelphia to New York City.
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NORA (DTC): A riveting production of a feminist classic
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
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LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do…
View More LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
PRODIGAL SON (PA Ballet): Ballet forward with Corella
New artistic director Angel Corella was able to take full advantage of works by George Balanchine, Christopher Wheeldon and a premiere from resident choreographer Matthew Neenan, to start to show his retooling of the company.
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