PATCHWORKS (Darcy Lyons and Collaborators): Dance review
An appealing evening of solo performances, Patchworks provided fresh evidence of how working collaboratively can produce dances that showcase the individuality of the dancers.
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Devised Theater Meets Disability: Matt Purinton talks EXPOSURE
Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.
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ALL THE DAYS (McCarter): An interesting failure
It takes a while for playwright Sharyn Rothstein to show you where she’s going in ALL THE DAYS. Rothstein writes sitcoms, and the formula shows.
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The 28th Inhale Performance Series (KYL/D): Dance review
Whether you are a dance aficionado or a first time attendee, Inhale Performance Series presents a wide variety of dance artists in a showcase fanyone can enjoy.
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A PROGRAM OF FIRSTS (PA Ballet): Remembering the start-line
It would not be too much to say that this has been one of the most exciting and accomplished seasons in Pennsylvania Ballet’s history.
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UNDERGROUND RAILROAD GAME (FringeArts/ Lightning Rod Special): The safe word is “Sojourner”
The most talked-about play from the 2015 Fringe is revived in an equally stellar production at FringeArts.
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OPUS CACTUS by MOMIX (Dance Affiliates): Feel nature and the universe
Moses Pendleton’s concept is grandiose and its realization is magnificent.
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OVO (Cirque du Soleil): Acrobatic insects and a life-affirming egg
Cirque du Soleil’s current touring show considers the world of insects in its signature combination of breathtaking acrobatics, original live music, and colorful design.
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SEE WHAT I WANT TO SEE (11th Hour): 60-second review
Republished by kind permission from Neals Paper. SEE WHAT I WANT TO SEE receives a bravura production from Megan Nicole O’Brien and 11th Hour. But show…
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WHITE GUY ON THE BUS (Passage): 60-second review
Republished by kind permission from Neals Paper. Bruce Graham is having the most magnificent year of his playwriting career. His new works so far in…
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Famous Philadelphians: Hermann Schwarzmann (1846–1891)
As chief engineer for the Centennial Exhibition Grounds, Hermann Schwarzmann transformed Fairmount Park into a world-class venue for the 1876 fair celebrating America’s 100th anniversary.
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We don’t study history, we just keep reenacting it: a conversation with Jenn Kidwell
Jenn Kidwell talks history and roleplaying ahead of the relaunch of UNDERGROUND RAILROAD GAME at FringeArts.
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In Process: PhiladelphiaDANCE.org’s new residency program to have its first showing with Sam Tower + Ensemble
Sam Tower + Ensemble will show a selection of In Process material that has resulted from their residence at CHI Movement Art Center.
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217 BOXES OF DR. HENRY ANONYMOUS (HSP/PUPCos/Painted Bride): Archival gold
An extraordinary story of conviction and courage among a cleverly conceived catacumbal graduation of gray archival boxes.
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SAAYUJA (THE MERGING) (Annenberg): A celebratory blend of Bharatanatyam and carnatic music
Part storytelling and part culture sharing, Saayuja was more than the merging of art forms, it was the intermingling of cultures and politics
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MOTH (Azuka): Another teen angst drama
While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.
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LITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian times
An intimate site-specific adaptation of Louisa May Alcott’s beloved Victorian novel captures the humor and pathos of the book and the look and feel of the era.
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Set the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic band
Phindie’s recent review of a concert by Philadelphia psychedelic band The Moon Jellies attracted many readers, so we decided to follow it up by interviewing the band members.
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Bodies in Translation: Week Two: Trust Fails
Trisha Brown Company dancer Neal Beasley details the experience of setting Brown’s work on PA Ballet dancers.
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[podcast] Jen Childs on I WILL NOT GO GENTLY
Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.
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