The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.
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Category: Reviews
EXIT STRATEGY (PTC): All due respect
Holter’s play calls out and subverts the “inspirational white teacher” motif in popular culture because EXIT STRATEGY avoids the Hollywoodization of the decay of America’s public school system.
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EZRALOW DANCE (Dance Affiliates): Showcase of groovy and unpredicted imagination
Daniel Ezralow, the director and choreographer of Ezralow Dance, has been internationally recognized and awarded for his visceral and imaginative work, which includes the opening…
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OR (Hedgerow): love, lust, loyalties and loads of laughter!
Set in London, 1660, Liz Duffy Adams’s rollicking historical romp explores the remarkable life of Aphra Behn, a spy, poet, and England’s first professional female playwright.
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HARVEY (Walnut): Burns slow, then hops right along
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
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TO KILL A MOCKINGBIRD (Media): Killing Lee’s mockingbird
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
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#THEREVOLUTION (InterAct): The vapid rebellion
What would happen if a bunch of early-20-something city-dwelling music-video-watching lower-middle-class variously privileged poorish Americans launched a violent revolution against the state?
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THE IT GIRL (Simpatico): Sounds of silence that still resonate
A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.
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OSCAR WILDE: FROM THE DEPTHS (Lantern): A love that dared not speak its mind
With his brilliant work and tragic arc, Oscar Wilde remains a fascinating figure.
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REVERIE (Drexel Dance Ensemble): Young artistry on display
An anthology showcase, where most of the choreographers and all of the dancers were students.
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ESCUELA (Guillermo Calderón/ FringeArts): You say you want a revolution
A narrowly focused, transportative work about a cell of Marxist revolutionaries, like entering a fading kodachrome snapshot.
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SORRY, BROKEN PIANO (Art Church): Indie shock jock drama
A podcast DJ and his tireless producer on a mission to conquer the late-night dregs-of-society demographic.
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THE LANGUAGE ARCHIVE (BRT): A poetic parable about the language of love
Julia Cho’s lofty romantic comedy examines the beauty of language and the failure of humans to communicate.
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PINK PUNCH (Art Church): Rosemary’s baby shower—one hell of a weird ride
If the ninth circle of hell decided to host a baby shower, it would resemble something like PINK PUNCH by Cara Blouin.
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Two Philadelphia Companies Shine at APAP 2016
Koresh Dance Company and Kun-Yang Lin/Dancers perform in a APAP showing.
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THE PIANO LESSON (McCarter): A fine tune
Baikida Carroll’s PIANO LESSON is August Wilson as it’s meant to be seen.
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GOD BLESS BASEBALL (FringeArts/Toshiki Okada): Explaining the rules of the game
Toshiki Okada’s new play is an allegorically complex performance about baseball that isn’t about baseball.
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ON THE ROAD AGAIN (Act II): 60-second review
What better way to celebrate the cluster that is travel but with a charming show all about it in Ambler!
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FUNNYMAN (Arden): Comedy on the brink of tragedy
A new play by Bruce Graham considers the sadness that often underlies comedy and the need to adapt to changing styles and the struggles of life.
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SOLONELY TOGETHER (Carolyn O’Brien): Finding gems in DIY art
A collection of short pieces by a number of different emerging artists from various disciplines on the subject of loneliness.
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