The most talked-about play from the 2015 Fringe is revived in an equally stellar production at FringeArts.
View More UNDERGROUND RAILROAD GAME (FringeArts/ Lightning Rod Special): The safe word is “Sojourner”
Category: Reviews
OPUS CACTUS by MOMIX (Dance Affiliates): Feel nature and the universe
Moses Pendleton’s concept is grandiose and its realization is magnificent.
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OVO (Cirque du Soleil): Acrobatic insects and a life-affirming egg
Cirque du Soleil’s current touring show considers the world of insects in its signature combination of breathtaking acrobatics, original live music, and colorful design.
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SEE WHAT I WANT TO SEE (11th Hour): 60-second review
Republished by kind permission from Neals Paper. SEE WHAT I WANT TO SEE receives a bravura production from Megan Nicole O’Brien and 11th Hour. But show…
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WHITE GUY ON THE BUS (Passage): 60-second review
Republished by kind permission from Neals Paper. Bruce Graham is having the most magnificent year of his playwriting career. His new works so far in…
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217 BOXES OF DR. HENRY ANONYMOUS (HSP/PUPCos/Painted Bride): Archival gold
An extraordinary story of conviction and courage among a cleverly conceived catacumbal graduation of gray archival boxes.
View More 217 BOXES OF DR. HENRY ANONYMOUS (HSP/PUPCos/Painted Bride): Archival gold
SAAYUJA (THE MERGING) (Annenberg): A celebratory blend of Bharatanatyam and carnatic music
Part storytelling and part culture sharing, Saayuja was more than the merging of art forms, it was the intermingling of cultures and politics
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MOTH (Azuka): Another teen angst drama
While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.
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LITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian times
An intimate site-specific adaptation of Louisa May Alcott’s beloved Victorian novel captures the humor and pathos of the book and the look and feel of the era.
View More LITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian times
THE ELIXIR OF LOVE (Opera Philadelphia): Ever may the fruit be plucked
A uniformly wonderful cast provide bright, sunshiny fun in this lively, fast-moving, exuberant staging of Gaetano Donizetti’s romantic comedy.
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KRISSY FRAELICH (Arden Cabaret): 60-second review
Fraelich proves her mettle as a singer who can move as much as impress you.
View More KRISSY FRAELICH (Arden Cabaret): 60-second review
THE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pull
Something funny across the surface with dark issues riding just under it.
View More THE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pull
NOTHING TO SEE HERE (Found Theater Company): Experience the chaos
At times, the play feels like a bad dream, at others like an epiphany; at times confusion seems the primary sensation clouding the experience.
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THE RADICALISATION OF BRADLEY MANNING (Inis Nua): An unforgettable examination of a critical American subject
An intense and impactful bio-play on Bradley Manning makes its powerful American debut in a stellar production by Inis Nua.
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I WILL NOT GO GENTLY (1812): Rage, rage against the dying of the light
The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.
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FOREVER PLAID (Montgomery): Always on song
Of all the variety pieces that have become ensemble favorites, Stuart Ross’s musical remains the most durable.
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SPRING SERIES (BalletX): Ten Years On
BalletX has been around for ten years and they have much to celebrate.
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ALWAYS … PATSY CLINE (Walnut): Crazy for this show
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
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MACHINAL (EgoPo): Welcome to the machine
A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.
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HOLLY’S DEAD SOLDIERS (Chris Davis, Bruce Walsh and Douglas Williams): 60-second review
Adapting Truman Capote’s Breakfast at Tiffany’s but not pulling verbatim from the novella, three playwrights have created a special experience in a Point Breeze row home.
View More HOLLY’S DEAD SOLDIERS (Chris Davis, Bruce Walsh and Douglas Williams): 60-second review