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Zornitsa Stoyanova asks us to consider the female body as embodiment of generations of ancestral procreation, a host for the alien parasites of new generations, and—through a glass, darkly—as a sexual object.
View More EXPLICIT FEMALE (Here[begin] Dance): 2016 Fringe review 73
Created and directed by Mike Durkin, ANIMAL FARM TO TABLE is a community dinner theater inspired by George Orwell’s Animal Farm taking place in the Urban Creators Farm
View More Fringe in Sketch: ANIMAL FARM TO TABLE
“It’s this topsy-turvydom that people are drawn to,” lyricist Kevin Stackhouse said when we talked before the show. “People like to feel smart, and what…
View More GILBERT AND SULLIVAN’S SWITCHED! OR THE INSIDER AND THE OUTSIDER (Tavern Productions and PAFA Performs): 2016 Fringe review 72
This fabulous Fringe piece plunges the audience into the dramatic action of the American Revolution.
View More A RUNAWAY, A SOLDIER AND A SNOWBALL FIGHT (Iron Age Theatre): 2016 Fringe review 71
I made it to a performance of Albert Camus’ THE JUST from Übungsflugzeug at Panorama in West Philly. [5213 Grays Avenue] September 9-24, 2016; fringearts.com/albert-camus-just.…
View More Fringe in Sketch: Albert Camus’ THE JUST
Sincere, amusing, and an absolute treat (and inside joke) for artmakers
View More HAPPY YUMMY CHICKEN (Love Drunk Life): 2016 Fringe review 70
femme. collective has interwoven disparate acts to form a cohesive whole, a gorgeous string of solo, duet and group dances that tackle that, yes, underrated act of talking to oneself
View More THE UNDERRATED ACT OF TALKING TO ONESELF (femme. collective): 2016 Fringe review 69
César Alvarez’s unique collaboration with the University of the Arts boasts a youthful cast of energetic performers who create a probing spectacle through the guise…
View More THE ELEMENTARY SPACETIME SHOW (César Alvarez): 2016 Fringe review 68.1
Some jokes with your beer?
View More BYE BYE LIVER (Happy Hour Live): 2016 Fringe review 67
Wild Plum Production’s reimagining of Strindberg’s The Stronger. Review with sketches by Chuck Schultz.
View More SAY NO MORE (Wild Plum Productions): 2016 Fringe review 66
Featuring young talents and Zlatina’s storytelling choreography, BARRY is a show with heart and love, quick on its feet.
View More BARRY: MAMALOSHEN IN DANCE (Asya Zlatina): 2016 Fringe review 65
The movement was very inspiring, and the diversity of the show was all encompassing.
View More Fringe in Sketch: FORE-IGN/ FORE-OUT
Comic book nerds turn vigilante against the Philadelphia Parking Authority in Tribe of Fools’ ANTIHERO.
View More Fringe in Sketch: ANTIHERO
Way Off Broad St. Theater Company justify the festival inclusion of this modern classic with a site-specific setting in a chapel of the Arch Street United Methodist Church and a solid take on an excellent play.
View More DOUBT, A PARABLE (Way Off Broad St. Theater Company): 2016 Fringe review 64
Millennia is funny, ambitious, and a little bit confused—just like millennials.
View More MILLENNIA (Brad Ogden): 2016 Fringe review 63
SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSE
The layering of story elements, occasional improv, and comedic repetition accompanied with robust sound design breathes life into each new scene
View More THE LONG TIDES (Nicole Quenelle): 2016 Fringe review 62
Three years before his assassination during the Spanish civil war, Federico Garcia Lorca elaborated his theory of duende at the Argentinian premier of BODAS DE…
View More BODAS DE SANGRE (The Duende Cycle): 2016 Fringe review 61
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugees
AMH Productions finds the humor and poignancy in Keller’s quietly affecting consideration of race, class, and human connection
View More DUTCH MASTERS (AMH Productions): 2016 Fringe review 60