Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.
Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
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PlayPenn, Theater, and “A comfortable place for misfits”: Interview with founder Paul Meshejian, Part 1 It’s unfashionable to suggest there’s such a thing as human nature, but we are “Homo narrans”—Man, the story teller. The theater will always... 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. ... 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
Our Man in Havana: Gerard Hooper takes Drexel film students to Cuba Interview with a Drexel professor taking 10 students to study with Cuban filmmakers. 
Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group) Henrik Eger talks to director Rebecca Wright about her work and influences. 
You never expect lighthearted comedy when going to a show by BCKSEET Productions. Argentine prison dramas, biting Edward Albee plays, and a Christmas show depicting Santa Claus as a reindeer molester — these are standard fare for the small Philadelphia company. It’s no surprise then that BCKSEET’s first commissioned work, Losing the Shore by Catherine Rush (now onstage UPstairs at the Adrienne), is an ordeal of uncomfortable intensity. more…
