Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.
Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
ROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet? How do you do fellow kids? 
Getting to Know Tina Brock John Rosenberg brings his series of long-form interviews to Phindie with IRC director Tina Brock. 
Revisiting Pinter’s BETRAYAL: A commentary An attempt to detangle this nine-scene play that’s designed to move backwards 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger One of Germany’s most popular singers launches his North American tour this week. Support Phindie operations
Covering everything from a cell wall to the Great Wall of China, WALLS explores of how walls—and the acts which build and destroy them—shape lives more…
