Henrik Eger talks to playwright Michael Hollinger about his latest work, UNDER THE SKIN.
There’s little inherent humor in a guy needing a kidney, but evidently no one told that to Michael Hollinger.
ATRYTONE/FIXED (Wings of Paper): 2019 Fringe review Two worthwhile new works of exploration by Alice Hakvaag and Michael Stahler. 
THE ROSE GARDEN (Emily Betts & Monti Cerabino): 2019 Fringe review The Monti Cerabino and Emily Betts produce a damn clever piece of theater 
THERE (Wilma): 2019 Fringe review Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral 
COME BACK, LITTLE SHEBA (IRC): 2019 Fringe review IRC widens the scope of what absurdism means in our absurd world 
20 Picks for the 2019 Philadelphia Fringe Festival Hey, what shows should I see this Fringe? Support Phindie operations
The second part of No Face Performance Group’s ABBOT ADAM series begins with the faintly absurd and moves to the thoroughly absurd. more…
