Henrik Eger talks to playwright Michael Hollinger about his latest work, UNDER THE SKIN.
There’s little inherent humor in a guy needing a kidney, but evidently no one told that to Michael Hollinger.
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
A Woman Who Dares: Interview with KC MacMillan KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire... 
EURYDICE (Villanova Theatre): Death is a continuation of life Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life. 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. In his solo work CONFESSIONS OF A MORMON BOY, part of this year'... 
Isabella Rossellini Brings GREEN PORNO to World Cafe Live Inspired by her love of animals and her concerns about unsound environmental practices, Rossellini’s well-researched work is both funny and educational. 
August Strindberg’s CREDITORS is a revenge tragedy of classic proportions, a modern descendant of the ancient Greeks and Shakespeare. His unnerving story of a love triangle in late 19th-century Sweden is intense and brutal, yet sprinkled with passages of laughable behavior and pronouncements. Its production requires a company that is up to the task of conveying its profound emotions, performing its psychological dissections, and meeting its physical demands, while still being effective in delivering its humor and irony.
