Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.
In the eyes of director Alexander Burns this doomed romance never stood a chance.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
SUICIDE STORIES (Elephant Room Productions): 2017 Fringe review A surprising reminder of how good it is just to be alive. 
SEVENTY IV SECONDS … TO JUDGMENT (GoKash OnStage): In judgment of our wrongs How could so many juries acquit so many killers of unarmed African Americans. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
At times, the play feels like a bad dream, at others like an epiphany; at times confusion seems the primary sensation clouding the experience.
