You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
The International Philly Fringe: A welcome to 28 countries
LATE NIGHT SNACKS: Stephanie Blythe (Bearded Ladies): 2019 Fringe review Stephanie Blythe as Blythely Oratonio performing at LATE NIGHT SNACKS 
THERE (Wilma): 2019 Fringe review Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral 
A MANAYUNK MYSTERY TOUR (Manayunk Theatre Company): 2019 Fringe review Shadowy figures lurk on the dark towpath under the Green Lane Bridge. That would be us. 
ATRYTONE/FIXED (Wings of Paper): 2019 Fringe review Two worthwhile new works of exploration by Alice Hakvaag and Michael Stahler. 
IS THIS A ROOM (Tina Satter/Half Straddle): 2019 Fringe review A brilliant production by Half Straddle based on an FBI transcription Support Phindie operations
The Incredibly Dangerous Astonishing Lucrative and Potentially TRUE Adventures of Barry Seal comes to FringeArts May 14–16, 2015. We interview creator Thaddeus Phillips. more…
