You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
The International Philly Fringe: A welcome to 28 countries
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
PETITE MORT and World Premieres (Pennsylvania Ballet): Lamentation and Revolution The exuberant choreography was spectacular, the dancers striking, and the dramatic finale stirred the viewers’ imagination. 
A DOLL’S HOUSE, PART 2 (Arden): Imagining another Nora Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald? 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Parenting Matilda: Christopher Sutton and Lyn Philistine on their roles in Roald Dahl’s classic Real life parents play onstage parents in MATILDA THE MUSICAL. Support Phindie operations
Ombelico’s latest al fresco offering, FLIM FLAM PHANTOM SHAM, is a delightful synthesis of traditional Commedia dell’Arte with current Philadelphia references, delivered in Italian and English—or Philly’s local version thereof!—which kept me in stitches throughout the entire all-ages show. more…
