An ambitious, unfinished work by one of Philadelphia’s best.
Frank Perri’s DOUBLE BATMAN is a powerful monologue of loss, withdrawal, and reemergence basically explaining why he is doing a powerful monologue of loss, withdrawal, and reemergence.
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TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha's production captures her brilliance. 
LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
The Berserker Residents take us back to school more…
