COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
A well-intentioned but dull play about an important legal program in Philadelphia.
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre Exile
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.
An entertaining spoof of Sir Arthur Conan Doyle’s Victorian classic injects humor and surprises into the well-known mystery.
John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle
Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.
To mark the 20th anniversary of BEAUTIFUL THING, Mauckingbird Theatre Company, dedicated to gay-themed work, begins its 2014 season with a production of English playwright Jonathan Harvey’s bittersweet comedy about…
Finding love and self-knowledge beyond the fixed categories of sexual identity (gay, straight, or bi) is the central theme of Michael Bartlett’s COCK, now in its Philadelphia premiere at Theatre…