Luigi Sottile

Mary McDonnell and Olivia Mell in THE CHERRY ORCHARD at People’s Light (Photo credit: Mark Garvin)

THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov

Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…

THE TWO GENTLEMEN OF VERONA (Pennsylvania Shakespeare Festival): Fickle Love and an Irresistible Canine

Contrasting the giddy inconstancy of youthful passion with the unconditional love for and the stolid fidelity of a pet dog, THE TWO GENTLEMEN OF VERONA—one of the Bard’s earliest works—is a delightful rom-com/bromance (descended from the medieval genre of male friendship literature) that offers the perfect entertainment for a summer audience. And the Pennsylvania Shakespeare Festival’s production, as directed by the ever-masterful Matt Pfeiffer, strikes the perfect balance between the comedy’s irrepressible fun and playfulness and its more serious message about regret, repentance, forgiveness, and camaraderie.

From left:  Mary Tuomanen (as Irina) Sarah Sanford (as Olga),and Katharine Powell (as Masha) as the ‘Three Sisters’ in the Arden Theatre Company production of Anton Chekhov’s play. (Photo courtesy of Mark Garvin)

Conversations on Chekhov: What gimmicks? The Arden’s THREE SISTERS has a lasting effect

In September of 1900 Anton Chekhov confessed in a letter to his actress-wife Olga Knipper: “I find it very difficult to write THREE SISTERS, much more difficult than any other of my…

seminar

60-second review: SEMINAR (PTC)

Writers will find much familiar in Theresa Rebeck’s SEMINAR, which brilliantly satirizes writerly blowhards (a proportionally large subset) and the self-seriousness necessary to pursue this art. Burnt-out, self-aggrandizing Leonard (Rufus Collins)…