The program was quick and accumulative, with short pieces creating a common theme.
Lang’s choreographies, and the movement of her dancers, give the impression of being settling and modest.
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NOISES OFF (Walnut St): Hi-jinks prevail The chestnut sails in Frank Anzalone’s production of NOISES OFF at the Walnut Street Theatre, but not consistently. 
THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentl... 
Lahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and Prokofiev Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger 
Kaepernick on a Hot Tin Roof? Did self-censorship constrain Tennessee Williams? Six decades separate the Broadway debut of Tennessee Williams’ CAT ON A HOT TIN ROOF in 1955 from Colin Kaepernick’s boycott of the National... 
LET THE DOG SEE THE RABBIT (LRS): A conceptual look at humans looking at animals The experimental work is a three-part meditation on the life and death of animals under the domination of the human gaze. 
A look at the building of the impressive set for the Arden production of METAMORPHOSES. more…
