The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.
For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances
MANNA (Metropolitan Area Neighborhood Nutrition Alliance), together with Pennsylvania Ballet brought a hot dance night to the Forrest Theater on an unusually freezing April night.
The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.
CABARET Couple: Talking to the married stars of a Broadway tour Roundabout Theatre Company's Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9 
Theater in Sketch: CORIOLANUS (Shakespeare in Clark Park) The audience gather together on two adjacent hill sides and in the middle is a stretch of grass, 
TOMMY & ME (Theatre Exile): Theatrical touchdown A lovely and elegiac look at how a sportswriter developed his love for football and friendship with an Eagles quarterback. 
SENSE AND SENSIBILITY (Hedgerow): I hated Jane Austen, but I love this I took a seat on one of the long, cushioned benches at the unusual Hedgerow Theatre, a grist mill from the 1800s, for the opening night of SENSE AND SENSIBILITY. Satisfied that at least I was introduc... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
Robin Malan’s iHAMLET, a stripped-down contemporary one-man adaptation of Hamlet, is performed in The Philadelphia Shakespeare Theatre’s Fringe production by one impressive woman. Actor/musician/composer Melissa Dunphy displays a remarkable command of the non-linear script, not once misspeaking a word of her 55-minute solo performance.
