The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
Brian Morrison
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THE GODS OF COMEDY (McCarter Theatre): 60-second review A charming comedy buried under an avalanche of frenetic activity 
HOME PROJECT-IMMIGRANT JOURNEYS (KYL/D): Promoting diversity through identity at Teatro Esperanza The performance follows a week long residency by the company at Esperanza Academy which included masterclasses, workshops, and guided discus... 
The People’s Champ: Getting to know Chris Davis A long-form interview with Philly's favorite solo theater artist. 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Theater from the Inside Out: Interview with JP Dunphy, multitalented DOGFIGHT actor, singer, and dancer The son of the Temple basketball coach talks about life as an actor.
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From the archives…
DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality. more…
