Big Dance Theater has built a reputation of articulate and speculative work, pairing theater and dance to dissect both historical and contemporary ideals. 17c is comical and stark, and the…
Welcome to Philadelphia, international Fringe artists.
Support Phindie operations
COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put ... 
Bob Weick has taken Howard Zinn’s MARX IN SOLO all over the U.S. He’s now taking it to England more…
