KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review
There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
Avery Hannon
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Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
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What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
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Considering Wilma’s Next Chapter: Blanka Zizka is joined by three co-directors
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As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
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RACHEL (Quintessence): Screaming from the Past
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